Fused-Glass Naturescapes Workshop with Nadine Booth: Denver 2026

Workshop · Denver

2026 Nadine Booth: Naturescapes

Turn a weekend in Denver into a hands-on study of landscape and material: Nadine Booth’s Naturescapes teaches experienced glass fusers how to translate mountains, water, and sky into layered, display-ready panels. Two full days plus a half day deliver technique, kiln time, and a finished piece.

Duration2½–3 days (approx. 18–20 hours)
LocationDenver, Colorado
OperatorD&L Art Glass Supply
Price shownCheck dates

Adventure brief

2026 Nadine Booth: Naturescapes

Turn a weekend in Denver into a hands-on study of landscape and material: Nadine Booth’s Naturescapes teaches experienced glass fusers how to translate mountains, water, and sky into layered, display-ready panels. Two full days plus a half day deliver technique, kiln time, and a finished piece.

2026 Nadine Booth: Naturescapes brings a focused fused-glass workshop to 1440 W 52nd Ave, Denver, CO 80221, USA, where experienced students gather to translate landscape memory into layered glass panels. Over two full days (9am–4pm) and a concluding half day, instructor Nadine Booth leads a compact curriculum that moves quickly from image study to glass placement, frit application, torching accents, and multiple kiln firings until a single finished naturescape is ready to mount. The class centers on technique: using one base sheet, adding sheet glass, frit, stringers and powdered elements to build depth and texture that suggest sky, ridge, water, and meadow.

Key features of the workshop include hands-on kiln work, coldworking to refine edges and surfaces, and demonstration of color correction strategies adapted from Nadine’s years of experimenting across studios in Arizona and Colorado. Students finish a display-ready piece and learn mounting methods so the artwork hangs cleanly on a wall. What makes this weekend unique for Denver’s outdoor-recreation-minded crowd is the direct translation of landscape observation into material practice.

Nadine’s Yellowstone-inspired approach teaches participants to reduce a mountain silhouette, a line of aspens, or a river’s reflective band into compositional elements of glass. The result is an artwork that carries geological language—strata of color, glass “riffles” that read like water, and matte frit textures that read like tundra—so outdoor enthusiasts leave with a souvenir both literal and interpretive. Nadine’s biography appears in the class materials: a self-taught glass artist who refined nature-panel work after trips to Yellowstone, and who has shown at state fairs, Glass Craft Expos, and regional galleries.

Her methods have earned awards and commissions, and her teaching emphasizes repeatable processes students can scale to larger panels and different COEs. Practical details: class size is capped at 12, all glass and supplies are included, lunch is provided on the two full days, and participants must have prior fusing experience. The studio is stroller- and wheelchair-accessible; arrive a few minutes early to choose materials and settle in.

Parking is on the west side of the building and a restroom is available onsite. For visitors staying in Denver, this course pairs well with a morning hike in nearby trails followed by an afternoon of concentrated studio time—an urban nature day that moves from field sketch to fired glass. For makers who want a compact, technique-forward immersion in landscape-based fusing, Nadine’s Naturescapes is a high-value, practical way to stretch visual observation into a durable piece of art.

Expect to leave not only with new skills—glass placement, kiln timing, and coldworking techniques—but with a personal artwork that reframes local landscapes into luminous panels you can hang at home, a compact keepsake of both technique and time spent observing nature today.

Adventure tips

Plan your experience.

Curated tips for an optimal adventure.

  1. 01
    Arrive early to set up

    Plan to arrive a few minutes before the 9am start so you can pick materials, set your station, and review the day’s demonstration without feeling rushed.

    info
  2. 02
    Park west side of building

    Use the west-side parking lot and enter through the classroom door next to the chain-link fence; look for the welcome sign to find the studio quickly.

    essential
  3. 03
    Bring respirator and brushes

    An N95 or respirator is requested for handling fine powders; bring the recommended brushes and a small spoon to manipulate frit.

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  4. 04
    Wear closed-toe shoes

    Closed-toe shoes are required in the studio to protect from stray glass shards and kiln handling.

    essential
DifficultyModerate
Duration2½–3 days (approx. 18–20 hours)
FitnessLight physical demand — standing and seated work in shifts; stable balance and able to lift small panels recommended.
Technical skillsGlass fusing basics, Kiln handling familiarity, Safety with glass and respirator

Recommended gear

What to bring.

01

N95 particulate mask or respirator

Protects lungs when working with frit, powders, and fine glass particles.

Essential
02

Close-toed shoes

Required for studio safety while handling glass and moving around kilns.

Essential
03

1" rounded blush brush and angled brushes (½", ¼")

Preferred tools for placing frit and refining texture during panel building.

04

Notepad and pen

Useful for sketching ideas, noting kiln schedules, and recording techniques to replicate later.

Local insights

Context for the journey.

Hidden gems

Nearby secrets

Afternoon studio light that backlights finished panels for candid photographs, Small industrial murals and textured walls near the west-side lot that offer composition ideas and palette inspiration

Wildlife

Local fauna

Red-tailed hawk, Raccoon

History

Historic heritage

Nadine Booth developed her signature Naturescapes after experiments inspired by trips to Yellowstone; she has taught across the Southwest and shown work at regional fairs and galleries.

Conservation

Mindful exploration

The studio emphasizes material efficiency and safe handling of glass frit; students are encouraged to reuse scrap glass and follow kiln ventilation and waste-disposal guidelines.

Photography tips

Capture the moments

Viewpoints
Close-up of frit layers and stringer details, Opening kiln shots as firings are revealed, Finished piece displayed against natural light to show translucency
Subjects
Glass textures and layers, Process shots of kiln and tools, Finished panels hung against a window
Best times
Late afternoon studio light, Morning setup before class, Golden hour for finished panels backlit in a window

Frequently asked questions

Before you go.

Where do I park?

Park on the west side of the building and enter through the classroom door next to the chain-link fence; a welcome sign will be posted.

Is prior experience required?

Yes — this class requires fusing experience; instructors may confirm skill level during booking to ensure the course pace is appropriate.

Are supplies included?

Yes — all glass and class supplies are included; lunches are provided on the two full days.

What is the minimum age?

Minimum age is 15; anyone 15 or younger must be accompanied by a parent or guardian enrolled in the class.

Is the studio accessible?

Yes — the location is stroller- and wheelchair-accessible; contact the organizer ahead of time for specific accommodations.

What if weather disrupts plans?

Classes typically continue through winter weather; in rare extraordinary circumstances the operator will contact participants to offer alternatives.

D&L Art Glass Supply

Fused-Glass Naturescapes Workshop with Nadine Booth: Denver 2026

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