Adventure brief
218 - Pet Figurine Workshop with Dave Short
Turn terracotta into personality: spend two hours with Great Pottery Throwdown Finalist Dave Short shaping, glazing, and firing small pet figurines in Broadway. Small class size and all materials supplied make this a perfect short creative escape.
On a bright Saturday afternoon in Broadway, England, the second-floor studio comes alive with the soft click of tools and the warm, earthy smell of terracotta. The 218 - Pet Figurine Workshop with Dave Short invites makers and animal lovers to a focused, two-hour session where pinching and sculpting techniques turn small lumps of clay into expressive pet studies. Led by Great Pottery Throwdown Finalist Dave Short, the class emphasizes rapid shaping—catching a breed’s posture, a twitch of an ear, or the suggestion of movement in compact, pocket-sized forms.
The format is brisk and hands-on. In groups capped at ten, participants work through a series of quick studies, trying multiple poses and finishing touches. Colored slip is available for surface detail, and during the session everyone selects four favourites to be fired and glazed.
If you want more than four pieces fired there’s a modest charge of £4 per extra piece; finished work is ready for collection within about four weeks. All materials, tools and firing/glazing services are provided, so you can travel light and leave with keepsake ceramics rather than packing supplies. Accessibility and logistics are straightforward but important: the classroom is on the second floor and there is no lift access, and the workshop welcomes participants aged 10 and up.
Organizers ask you to arrive about five minutes early to settle in. The pace suits beginners and hobbyists—no prior pottery experience is required—while the instructor’s pedigree means you’ll receive practical techniques rooted in professional practice. What makes this workshop special is the combination of speed and artistic intuition.
Rather than slow wheel work, these sculptural exercises teach you to suggest anatomy and movement with minimal marks and simple pinching methods. That approach trains observation as much as hand skills: you learn to read an animal’s pose and translate it into a compact figurine that conveys personality. This is an ideal booking for visitors staying in Broadway who want a short, creative escape from sightseeing.
It’s equally rewarding for families with older children, craft travelers collecting hands-on experiences, and locals seeking a concentrated skills session. Expect a communal, studio-like atmosphere—focused, friendly, and quietly industrious—where you finish the afternoon with clay on your hands and a plan to come back for the next round of firing and glazing. Small class size means one-on-one feedback from Dave Short, so expect direct instruction on armature, proportion and surface treatment.
The quick-fire format is great for developing an eye for silhouette and economy of mark, and the fired, glazed pieces make thoughtful gifts or keepsakes. Because the studio supplies everything, you can book with carry-on luggage only. Space is limited to ten participants, so reserve early to secure a place and plan ahead.
Adventure tips
Plan your experience.
Curated tips for an optimal adventure.
- 01Arrive a few minutes earlyessential
Plan to arrive 5 minutes before start time to get settled and set up your workspace.
- 02Dress for clayinfo
Wear clothes you don’t mind getting clay on or bring an apron—ceramics can splash and smudge.
- 03Mind the stairswarning
The studio is on the second floor with no lift access; plan accordingly if mobility is limited.
- 04Plan to collect laterinfo
Finished, glazed pieces are ready in about four weeks—arrange pickup or shipping in advance.
Recommended gear
What to bring.
Old shirt or apron
Protects clothing from clay and slip during hands-on sculpting.
EssentialSmall towel or handkerchief
Useful for wiping hands and keeping the workspace tidy.
Notebook and pencil
Jot quick sketches, posture notes and techniques during demonstrations.
Reusable tote bag
Carry finished work home later or bring a small bag for any takeaways.
EssentialLocal insights
Context for the journey.
Nearby secrets
Instructor demo table with sample figurines to study posture, Shelf of past workshop pieces showing glazing options and finish styles
Local fauna
House sparrows, Pigeons
Historic heritage
The workshop connects contemporary studio practice with popular UK ceramics culture through instruction from a Great Pottery Throwdown finalist.
Mindful exploration
The studio supplies materials and handles firing; participants are encouraged to minimize waste and respect glazing and recycling guidelines to reduce environmental impact.
Photography tips
Capture the moments
- Viewpoints
- Over-the-shoulder at the workbench, Close-up on hands and tools, Shelf of finished figurines staged for light
- Subjects
- Hands at work and clay textures, Close-up of terracotta and slip detail, Glazed figurines against neutral backgrounds
- Best times
- During hands-on shaping, At the moment of applying slip, After pieces are laid out to dry
Frequently asked questions
Before you go.
Is this workshop suitable for beginners?
Yes—no prior pottery experience is required. The session focuses on simple pinching and sculpting techniques ideal for first-timers.
How long is the session?
The workshop runs for two hours, with rapid exercises and time to select four pieces for firing and glazing.
Is there an age limit?
Participants must be at least 10 years old to join this session.
How many pieces can I have fired?
Each participant selects four pieces to be fired and glazed; additional pieces can be fired for £4 each, paid directly to the instructor.
When can I collect my finished pieces?
Fired and glazed pieces are typically ready for collection within four weeks of the workshop.
Is the studio accessible?
The workshop room is on the second floor and there is no lift access, so it may not be suitable for those who need step-free entry.