Adventure brief
Japanese Calligraphy: The Way of the Brush with Juju Kurihara
Spend a focused half-day learning shodo with Juju Kurihara in Dublin. This six-hour workshop supplies all materials and mixes hands-on technique with cultural context—perfect for travelers seeking a tactile, creative break from sightseeing.
On a quiet weekend in Dublin, a six-hour Japanese calligraphy workshop with Juju Kurihara turns a city afternoon into an exercise in focus and craft. The class meets in Dublin, County Dublin, Ireland, where a compact studio becomes a place to learn shodo—the traditional art of Japanese calligraphy—direct from an experienced instructor. Participants work with sumi ink, bamboo brushes, and mulberry paper to practice strokes, characters, and composition while guided through technique and the underlying philosophy.
The session places equal weight on practical instruction and the meditative rhythm of brushwork. Juju Kurihara introduces foundational tools: the fude (brush), sumi (ink stick and liquid ink), suzuri (inkstone), and hanshi (calligraphy paper). You'll learn how to grind ink, hold the brush with proper posture, and move through classic kanji and kana forms.
The workshop emphasizes line economy and breath coordination; small corrections from the instructor refine your wrist motion and timing until characters begin to hold shape. Studio lighting, low tables, and quiet concentration make the room feel deliberate and calm—qualities that suit the historical roots of calligraphy. Shodo evolved over centuries from Chinese calligraphic traditions and became a disciplined art and practice in Japan; instructors often weave short cultural notes into lessons, explaining brush styles and customary formats for scrolls and wall-hung pieces.
For visitors to Dublin, this is a rare chance to handle authentic materials and learn an East Asian discipline in a European capital. Materials are included, so you leave with original work—often a finished piece suitable for framing—and a basic familiarity with tools to continue practice at home. The rhythm of the class suits beginners: no previous experience is required, but students who arrive with patience and an appetite for repetition get the most from the day.
The six-hour format balances technique drills, short demonstrations, and creative time for composing a personal piece. Beyond technique, the workshop connects to Dublin's broader creative scene: local artists and cultural institutions host cross-cultural programs that bring traditional crafts into contemporary practice. For travelers, it's a focused, tactile alternative to walking tours—an indoor, hands-on encounter that rewards attention and yields a tangible keepsake.
Whether you're drawn by aesthetics, mindfulness, or a desire to try something completely different in Dublin, this workshop offers a memorable, grounding half-day immersed in line, ink, and quiet concentration. The format also suits travelers who want cultural depth in a single session: small class sizes allow individualized feedback, and the instructor explains meanings behind chosen characters so your finished work carries significance. Materials are supplied, so it's easy to continue practicing with local inks and papers.
After class, explore nearby galleries or take a stroll along the River Liffey to extend a quiet creative day into Dublin's streets.
Adventure tips
Plan your experience.
Curated tips for an optimal adventure.
- 01Arrive rested and focusedinfo
Brushwork rewards steady hands and calm attention—avoid scheduling right after long walks and allow time to settle in.
- 02Wear sleeves you can roll upessential
Long sleeves can ink accidentally; choose clothing that lets you move your wrist freely without worry.
- 03Bring a small tote or tubewarning
You’ll leave with wet or fragile work; a flat portfolio or tube protects pieces for travel.
- 04Ask about character meaningsinfo
Request translation and context for the kanji you practice so finished pieces have personal significance.
Recommended gear
What to bring.
Cover cloth or apron
Protect clothing from ink splatter during practice.
EssentialFlat portfolio or rigid folder
Transport finished sheets flat to avoid creases or smudges.
EssentialNotebook and pen
Take notes on stroke order and terminology to practice later.
Washable hand wipes
Quickly remove accidental ink from hands and surfaces.
Local insights
Context for the journey.
Nearby secrets
Chester Beatty Library for Asian art and manuscripts, The Little Museum of Dublin for local cultural context
Local fauna
Rock pigeon (urban), Eurasian blackbird
Historic heritage
Shodo—Japanese calligraphy—traces its lineage to Chinese brush techniques and was formalized in Japan over many centuries as both art and discipline.
Mindful exploration
The workshop minimizes waste by providing measured ink and reusable tools; students are encouraged to use scrap paper for practice and recycle where possible.
Photography tips
Capture the moments
- Viewpoints
- Close-up of brush and inkstone for detail shots, Overhead of your workspace capturing stroke sequences, Framed finished piece against a neutral wall
- Subjects
- Brush and ink tools, Action shots of strokes, Finished calligraphy pieces
- Best times
- Late morning for even studio light, Early afternoon for natural window light, After class while exploring nearby streets
Frequently asked questions
Before you go.
Do I need prior experience?
No—this workshop is designed for beginners; the instructor starts with fundamentals and builds to composing a finished piece.
Are materials provided?
Yes; sumi ink, brushes, paper, and inkstones are included in the booking price.
What should I wear?
Wear comfortable clothing with sleeves you can roll up; avoid anything you wouldn't want to risk getting ink on.
Is the class wheelchair accessible?
Contact the organizer via the booking link for specific accessibility details for the studio location.
Will instruction be in English?
Yes; sessions are taught in English with cultural notes about Japanese calligraphy.
Can I take my finished work on a plane?
Yes—dry pieces can be packed in a flat portfolio; allow extra drying time if a piece feels damp.