Monoprinting with Susan Leen: Create One-of-a-Kind Prints in Dublin

Workshop · Dublin

Monoprinting with Susan Leen

Spend six hours with artist Susan Leen learning monoprint techniques, from brayer handling to chine-collé. Leave with original prints and studio skills you can use anywhere.

Duration6 hours
LocationDublin, County Dublin
OperatorNational Print Museum
Price shownCheck dates

Adventure brief

Monoprinting with Susan Leen

Spend six hours with artist Susan Leen learning monoprint techniques, from brayer handling to chine-collé. Leave with original prints and studio skills you can use anywhere.

Monoprinting with Susan Leen is a six-hour, hands-on printmaking workshop held in Dublin, County Dublin, Ireland. In a single session you’ll learn the monoprint process—mixing inks, layering textures, and using stencils to create unique, one-off images—guided by artist Susan Leen. The studio space centers on a small etching press, a rack of paper stocks, jars of pigment, and a spread of found textures; that tactile kit makes the class more like a laboratory than a classroom.

The workshop’s key features are the direct, immediate results of monoprinting, the variety of substrates (Japanese paper, heavyweight rag papers), and an emphasis on color mixing and surface pattern. Expect demonstrations on brayer technique, chine-collé, reductive marks, and registration tricks that let you repeat motifs without duplicating prints. This experience is especially appealing to travelers who want a creative counterpoint to Dublin’s streets and coastal walks.

Located in the city, the session feels rooted in local craft traditions: printmaking and letterpress have a long history in Ireland, and the classroom often displays historic presses and archival type that link the technique to Dublin’s printing past. Because each print is singular, the workshop doubles as a studio where experimentation is encouraged—whether you’re a beginner or a practiced maker, you’ll leave with a small body of finished work and a clearer sense of how texture, pressure, and timing change an image. Practical details keep the day efficient: materials are provided, so participants only need to bring ideas and curiosity; the six-hour format balances demonstration, hands-on time, and drying/finishing.

The pace favors doing over listening—expect to stand at the press, get ink on your fingers, and take intermittent breaks to assess color and composition. Accessibility and small group size mean instructors can offer individualized tips, and the workshop’s urban location makes it easy to pair with a morning walk along the Liffey or an afternoon visit to nearby galleries and cafes. Why book it? For travelers who collect experiences as souvenirs, nothing beats a hand-made print you made yourself.

The method teaches problem-solving and rapid decision-making—skills that translate back into hikes, photography sessions, or any creative weekend. Whether you’re on a short city trip or staying longer in County Dublin, Monoprinting with Susan Leen delivers a tactile, memorable half-day that connects craft, local history, and a clear, practical set of studio skills. Small class sizes ensure one-on-one feedback from Susan Leen and the chance to try multiple approaches—monochrome pull, layered color, and stenciled motifs—and the studio supplies acid-free papers and sustainable inks where possible.

Participants can buy extra paper or frames on site, and the prints make compact, meaningful souvenirs that travel well. Advance booking is recommended to secure your spot. Bring a lightweight portfolio folder today.

Adventure tips

Plan your experience.

Curated tips for an optimal adventure.

  1. 01
    Wear old clothes or bring an apron

    Inks can stain—choose clothing you don’t mind marking or bring an apron to stay clean during long print pulls.

    essential
  2. 02
    Bring sketch ideas

    A few small sketches or reference photos speed the creative process and help you focus during hands-on time.

    info
  3. 03
    Allow drying time

    Printed sheets often need time to dry; bring a lightweight portfolio to protect wet prints while traveling afterward.

    warning
  4. 04
    Arrive early for setup

    Arrive 10–15 minutes before the start to choose paper and settle into your workspace before demonstrations begin.

    info
DifficultyEasy
Duration6 hours
FitnessSuitable for all fitness levels; studio-based, requires standing and light lifting of paper stacks
Technical skillsNone

Recommended gear

What to bring.

01

Old shirt or apron

Protect your clothes from pigment and solvents used in the studio.

Essential
02

Sketchbook and pencil

Bring quick sketches or composition ideas to translate into prints.

Essential
03

Nitrile gloves

Protect hands during ink mixing and cleanup if you prefer not to get ink on skin.

04

Lightweight portfolio folder

Carry and protect finished prints while traveling or during drying time.

Local insights

Context for the journey.

Hidden gems

Nearby secrets

Historic printing presses and type cases often on display in the adjacent collection area, Small independent bookbinders and stationery shops nearby that sell archival mounting supplies

Wildlife

Local fauna

Pigeons around Temple Bar and riverside areas, Urban foxes occasionally seen at dusk in city parks

History

Historic heritage

Printmaking and letterpress played a central role in Dublin’s literary and publishing culture; many local workshops celebrate that craft lineage.

Conservation

Mindful exploration

The studio favors acid-free papers and aims to use sustainable or low-VOC inks where possible; please minimize waste and return scrap paper for reuse.

Photography tips

Capture the moments

Viewpoints
Overhead shot of the press bed during a pull, Close-up of brayer rolling color across the plate, Tabletop arrangement of finished prints and tools
Subjects
Hands working the press, Surface textures and ink gradients, Finished prints on varied paper stocks
Best times
Morning session (soft indoor light), Afternoon (studio light and golden hour outside), Late afternoon for texture close-ups

Frequently asked questions

Before you go.

Do I need prior printmaking experience?

No—this workshop is designed for beginners and experienced makers; the instructor guides every step.

Are materials included?

Yes—inks, paper, stencils, and use of the press are provided as part of the session fee.

What age is this for?

This specific offering is for ages 18+ as noted in the booking details.

How many prints will I make?

You can expect to complete several monoprints and a few variant pulls; final numbers depend on drying and experimentation time.

Is the space accessible?

The workshop generally accommodates mobility needs but check with the operator ahead of time for specific accessibility requests.

What is the cancellation policy?

Cancellation and refund rules are set by the booking provider; check the referral link for current terms and available dates.

National Print Museum

Monoprinting with Susan Leen: Create One-of-a-Kind Prints in Dublin

Check dates & availability